Hans von Aachen

was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.
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Hans von Aachen The Three Graces oil painting


The Three Graces
ID de tableau::  67883
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The Three Graces
Year 1604(1604) Technique Oil on canvas Dimensions 209.7 X 138.6 cm
Year_1604(1604)_ Technique_Oil_on_canvas_ Dimensions_209.7__X__138.6_cm
   
   
     

Hans von Aachen Matthias Holy Roman Emperor oil painting


Matthias Holy Roman Emperor
ID de tableau::  67884
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Matthias Holy Roman Emperor
Year 1612(1612) Technique Oil on canvas
Year_1612(1612)_ Technique_Oil_on_canvas
   
   
     

Hans von Aachen The unleashing of the winds oil painting


The unleashing of the winds
ID de tableau::  67885
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The unleashing of the winds
Year 1603(1603) Technique Oil on canvas Dimensions 38 X 45 cm
Year_1603(1603)_ Technique_Oil_on_canvas_ Dimensions_38__X__45_cm
   
   
     

Hans von Aachen Zvestovani oil painting


Zvestovani
ID de tableau::  67886
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Zvestovani
Date 1610
Date_1610
   
   
     

Hans von Aachen The Holy Family oil painting


The Holy Family
ID de tableau::  67887
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The Holy Family
Year unknown (before 1615) Technique Oil on canvas
Year_unknown_(before_1615)_ Technique_Oil_on_canvas
   
   
     

       Précédent  1  2  3  4  5  6  7  8  9  10   Prochaine
Artiste précédent       Artiste prochain     

     Hans von Aachen
     was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.

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